http://www.axs.com/se/events/273085/paul-mccartney-tickets?skin=sga There are multiple tickets for 6th row in front of the stage available today so someone must have returned tickets???

h-girl:

5th-beatle:

Congratulations to those who got tickets! I'm curious: when the Stockholm and Oslo pre-sales began, were you folks redirected to make your purchases on CrowdSurge or the local ticket companies in Sweden and Norway?

Crowdsurge for Norway

Same for Sweden...

PaulMcCartney.com:

Ticket Links: Stockholm: General Admission: http://www.paulmccartney.com/presale/tele2-arena-sweden VIP: http://www.eventtravel.com/paul-mccartney-tickets-europe-2015?agentCodeWeblink=AF2074 Oslo: General Admission: http://www.paulmccartney.com/presale/telenor-arena-norway VIP: http://www.eventtravel.com/paul-mccartney-tickets-europe-2015?agentCodeWeblink=AF2074

5th row...thank you pre-sale!!

New mix and track of our version of the most recorded track ever. Just in to say hi to everyone, hope the summer is better everywhere else than here, just about rain every day. [YESTERDAY(click to listen)[/size">](http://www.reverbnation.com/open_graph/song/14008782]<span style=) Vocal: Bjorn. Guitar, strings: Gary.

Beat Around The Bush....or...Bring Home The Bacon...

Vintage Clothes:

My own take on this is that everyone's view points are valid but that Paul should (and no doubt will) carry on doing whatever he wants to, for as long as humanly possible. I seem to remember him being asked on the Put It There DVD back in '89 if he ever saw a day when he would stop doing music. Didn't he say he wasn't even interested in the question? I think, as Paul fans, we have to accept this - it's part and parcel of the man and his music. And I think the evidence shows he's far from washed up just yet, especially when it comes to songwriting: (I Want To) Come Home, Electric Arguments, Only Our Hearts etc. Now, I accept that this means making music - both on stage and in the studio - that is good and bad (and we all have our views on which is which). But that's the nature of a true artist, surely, and certainly of Paul's career - and I, for one, celebrate it. I accept the good (My Valentine) with the bad (Nod Your Head) - only my opinion!! Whilst it pains me to say it, in my view, Paul's voice has been suffering since I first saw him live in '89. I remember my Dad saying he didn't sound as good as he used to (and I think I kind of knew it too). And only the other day I fished out my CD of Knebworth '90 (one of my very first CDs) and, frankly, didn't think Paul sounded great, especially on Coming Up. But, the thing is, in the intervening 23 years he HAS sounded fantastic, both on record and live. Personally I'd say some of his best singing ever is on Run Devil Run. He's not too shabby on Flaming Pie either, or Back In The US/World. Funny how Paul could sound much better, in my opinion, live in 2002 than he did in 1990! Maybe he's been guilty of over-using his voice over the years, and relying on 'instinct' and the fact that he's NOT musically trained in any way. Perhaps he could have protected his vocal cords more, but then what would we, as fans, missed out on? And, more importantly, would Paul have been happy?? I think, from a singing point of view, Paul should concentrate on singing in the range that works now (I personally think he sounds great on most of Kisses On The Bottom). That perhaps means not insisting on proving he can still sing I'm Down in the original key, which I think would be hard for him (to admit, I mean). I can't blame him - I for one will be over the moon if I have half the energy and vitality Paul has at (nearly) 70! But something probably does have to give, I'd agree with that, and I'd be happy to see Paul really concentrate on his strengths now, in 2012, which for me means writing and recording first and foremost. But I would not agree Paul should ditch the Olympic gig (not that he ever would). And I agree with whoever said there may be an element of overreaction concerning his vocals and performance at the Jubilee. Sorry for rambling.

Thanks, no need for me rambling, since you pretty much summed it up for me! Paul's voice has been a "concern" since 1989 and on! When I saw him in Stockholm 89 he was in terrific shape! In the 2nd show, the day after, his voice was terrible, I have both shows on bootleg, and the change is dramatic, he can hardly sing any of the demanding songs, Maybe I'm Amazed is the worst I ever have heard him sing.... And ever since that we've heard a lot of live performances over the years, good and bad. He has a fantastic range still, and when he has a good day can sing high notes with a smooth voice, amazing for being 69! But the TV-shows are unfortunately always a bit nerve-wrecking, for us and him! As I've stated before, my theory is that he's nervous doing the big telly-gigs, and that is bad news for any voice, you must be really relaxed to sing those kind of songs he's doing! Believe me, I have a lot of experience doing live gigs myself! But the change in his voice is evident, especially when he talks, that is natural of course, but I think his smoking habits has damaged his voice more than anything else... I love the voice still, but not so fond of croaky live TV-performances, but he still shines in concert(his own when relaxed) and on record!

audi:

Couldn't download it...I bet it's great!

Dunno if it´s great, but the link is repared now!

One of the first covers we did way back. This is a bit remixed, still with my love doing the Linda part!

No. 3 on the iTunes chart here in Sweden.